Telemann: Ino

Artista: Telemann / Boston Early Music Festival Orchestra

Formato: COMPACT DISCS

Gravadora/Label: CPO

Catalogo: 555658

Faixas: 1.1 Suite in D major, TWV 55:D23~Ouverture
1.2 Ino, cantata for soprano and orchestra, TWV 20:41~Recitativo. Wohin? wo soll ich hin?
1.3 Ino, cantata for soprano and orchestra, TWV 20:41~Aria. Ungöttliche Saturnia
1.4 Ino, cantata for soprano and orchestra, TWV 20:41~Recitativo. O all ihr Mächte des Olympus
1.5 Ino, cantata for soprano and orchestra, TWV 20:41~Recitativo. Wo bin ich? o Himmel!
1.6 Ino, cantata for soprano and orchestra, TWV 20:41~Tanz der Tritonen
1.7 Ino, cantata for soprano and orchestra, TWV 20:41~Vivace spiritoso e con affetto
1.8 Ino, cantata for soprano and orchestra, TWV 20:41~Recitativo. Ungewohnte Symphonien
1.9 Ino, cantata for soprano and orchestra, TWV 20:41~Aria. Meint ihr mich irh Nereïden
1.10 Ino, cantata for soprano and orchestra, TWV 20:41~Recitativo. Und nun? ihr wendet Euch so schnell zurück?
1.11 Ino, cantata for soprano and orchestra, TWV 20:41~Aria. Tönt in meinem Lobgesang
1.12 Germanicus, TWV 21:deest~Aria. Rimembranza crudel
1.13 Emma und Eginhard, TWV 21:25~Recitativo accompagnato. Das Auge starrt
1.14 Emma und Eginhard, TWV 21:25~Aria. Erscheine bald, du Irrstern meiner Sinnen
1.15 Emma und Eginhard, TWV 21:25~Recitativo. Ich habe mit mir selbst
1.16 Emma und Eginhard, TWV 21:25~Aria. Je mehr, dass ich mich widersteze
1.17 Flavius Bertaridus, TWV 21:27~Recitativo accompagnato. Armselige, wie weit
1.18 Flavius Bertaridus, TWV 21:27~Aria. Gemahl und Sohnes Angedenken
1.19 Flavius Bertaridus, TWV 21:27~Recitativo. Ihr Götter
1.20 Flavius Bertaridus, TWV 21:27~Recitativo accompagnato. Beliebte Zephir
1.21 Flavius Bertaridus, TWV 21:27~Aria. Mischt, ihr muntern Nachtigallen
1.22 Flavius Bertaridus, TWV 21:27~Recitativo accompagnato. Unschuld’gen
1.23 Flavius Bertaridus, TWV 21:27~Aria. Ach komm, und schwebe
1.24 Fanfare in D major, TWV 50:44
1.25 neumodische Liebhaber Damon, TWV 21:8~Aria. Lache nur, du Tigerherze!

Ino was the wife of Athamas and thus the daughter-in-law of Aeolus, the god of the winds. For reasons that are not entirely clear, she incurred the resentment of Hera, the wife of the gods, who confused Athamas to such an extent that he shot one of his own sons and also wanted to kill the second – whereupon Ino threw herself into the sea with her offspring. In the end, mother and daughter are transformed into maritime deities. When Georg Philipp Telemann set this material to music, he was already well past eighty; musically, however, he exploded like a young man with a bright future ahead of him. The Ino of our new recording comes from the ranks of the Boston Early Music Festival: Amanda Forsythe, most recently celebrated as the irresistible “Serva Padrona”, opens an aria recital with this demanding role, which portrays the opera composer Telemann from monodrama to lively comedy and looks ahead to upcoming productions.