Telemann & Co.

Artista: Bohm / Fasch / Arianna Art Ensemble

Formato: COMPACT DISCS

Gravadora/Label: URAN

Catalogo: 14119

Faixas: 1.1 Quartet (Sonata) in F for Bassoon, Violin, Oboe and Continuo, FaWV N:F4~I. Largo
1.2 Quartet (Sonata) in F for Bassoon, Violin, Oboe and Continuo, FaWV N:F4~II. Allegro
1.3 Quartet (Sonata) in F for Bassoon, Violin, Oboe and Continuo, FaWV N:F4~III. Largo
1.4 Quartet (Sonata) in F for Bassoon, Violin, Oboe and Continuo, FaWV N:F4~IV. Allegro
1.5 Trio Sonata in F for Recorder, Viola da Gamba, and Continuo, TWV 42 F3~I. Vivace
1.6 Trio Sonata in F for Recorder, Viola da Gamba, and Continuo, TWV 42 F3~II. Mesto
1.7 Trio Sonata in F for Recorder, Viola da Gamba, and Continuo, TWV 42 F3~III. Allegro
1.8 Basson Sonata in C, FaWV N:C1~I. Largo
1.9 Basson Sonata in C, FaWV N:C1~II. Allegro
1.10 Basson Sonata in C, FaWV N:C1~III. Andante
1.11 Basson Sonata in C, FaWV N:C1~IV. Allegro assai
1.12 Trio (Concerto) in G for Viola d’amore, Oboe d’amore and Bassoon~I. Grave
1.13 Trio (Concerto) in G for Viola d’amore, Oboe d’amore and Bassoon~II. Allegro
1.14 Trio (Concerto) in G for Viola d’amore, Oboe d’amore and Bassoon~III. Andante (Siciliana)
1.15 Trio (Concerto) in G for Viola d’amore, Oboe d’amore and Bassoon~IV. Menuet
1.16 Gamba Sonata in A minor, TWV 41:a6~I. Largo
1.17 Gamba Sonata in A minor, TWV 41:a6~II. Allegro
1.18 Gamba Sonata in A minor, TWV 41:a6~III. Soave
1.19 Gamba Sonata in A minor, TWV 41:a6~IV. Allegro
1.20 Quartet (Concerto) in G minor for Recorder, Violin, Viola and Continuo, TWV 43 g4~I. Allegro
1.21 Quartet (Concerto) in G minor for Recorder, Violin, Viola and Continuo, TWV 43 g4~II. Adagio
1.22 Quartet (Concerto) in G minor for Recorder, Violin, Viola and Continuo, TWV 43 g4~III. Allegro

Georg Philipp Telemann belongs to the auroral phases of the Enlightenment, a musician with an inexhaustible and perhaps unparalleled creative vein in terms of the breadth of his catalogue. Johann Michael Bohm was skilled in the violin as well as the flute and oboe; Johann Friedrich Fasch was a very industrious music craftsman, although reluctant to publish his own work, which appeared posthumously. The embarrassment that seizes some commentators is due primarily to little familiarity with the music included in this album, informed by a sound “individualism” and a systematic spirit, yes, but still little inclined to the rigid regularities that perhaps only the late-Romantic school imposed on the view of music.