Symphonies of the Bach Familiy

Artista: Symphonies of the Bach Familiy / Various

Formato: COMPACT DISCS

Gravadora/Label: PROL

Catalogo: 21029

Faixas: 1.1 Sinfonie D-Dur für Streicher und B.c. BR-WFB C Inc.1~I. Moderato
1.2 Sinfonie D-Dur für Streicher und B.c. BR-WFB C Inc.1~II. Andante e piano sempre
1.3 Sinfonie D-Dur für Streicher und B.c. BR-WFB C Inc.1~III. Vivace
1.4 Sinfonie in Es-Dur für Streicher und B.c. Wq/H deest~I. Allegro ma non molto
1.5 Sinfonie in Es-Dur für Streicher und B.c. Wq/H deest~II. Andante
1.6 Sinfonie in Es-Dur für Streicher und B.c. Wq/H deest~III. Allegro assai
1.7 Sinfonie in C-Dur für Streicher und B.c. Wq/H deest~I. Allegro
1.8 Sinfonie in C-Dur für Streicher und B.c. Wq/H deest~II. Andante e piano
1.9 Sinfonie in C-Dur für Streicher und B.c. Wq/H deest~II. Presto
1.10 Sinfonie in e-moll für Streicher und B.c. Wq 177~I. Allegro assai
1.11 Sinfonie in e-moll für Streicher und B.c. Wq 177~II. Andante moderato
1.12 Sinfonie in e-moll für Streicher und B.c. Wq 177~III. Allegro
1.13 Sinfonie in d-moll für Streicher und B.c.~I. Allegro
1.14 Sinfonie in d-moll für Streicher und B.c.~II. Andante amoroso
1.15 Sinfonie in d-moll für Streicher und B.c.~III. Allegro assai
1.16 Sinfonie in B-Dur für Streicher, zwei Fagotte und B.c. BR-JEB C 1~I. Allegro
1.17 Sinfonie in B-Dur für Streicher, zwei Fagotte und B.c. BR-JEB C 1~II. Andante
1.18 Sinfonie in B-Dur für Streicher, zwei Fagotte und B.c. BR-JEB C 1~III. Allegro
1.19 Konzert in D-Dur für zwei Violinen, zwei Oboen, Streicher und B.c.~I. Allegro
1.20 Konzert in D-Dur für zwei Violinen, zwei Oboen, Streicher und B.c.~II. Adagio
1.21 Konzert in D-Dur für zwei Violinen, zwei Oboen, Streicher und B.c.~III. Allegro
1.22 Sinfonia in D-Dur für Violine, zwei Oboen, drei Trompeten, Pauken, Streicher und B.c. BWV 1045: Sinfonia

Every generation creates it’s own forms of expression. Often, this happens in abrupt rejection of what has gone before. And not infrequently, the provocative gestures in which a new attitude to life is articulated disappear again just as quickly as they appeared. Such thoughts may also have moved Johann Sebastian Bach when, in the early 1740s, his two eldest sons took up the genre of the symphony, which had come from Italy and was accompanied by a novel treatment of the orchestra and compositional technique. Together with their generational peers, they created an independent line of tradition that was later referred to by music historians as the “symphony of the North German school.” The fact that the symphony did not remain a short-lived fashion, favored by a handful of young savages, but advanced to become a genre that was soon considered the “acknowledged paramount form of instrumental music”, was one of the most significant and momentous musical achievements of the 18th century.