Golden Age of the Cornett

Artista: Dongois / Concert Brise

Formato: COMPACT DISCS

Gravadora/Label: ACR

Catalogo: 24261

Faixas: 1.1 Diminution on Palestrina’s “Domine Quando Veneris”, for Cornetto ; Organ
1.2 L’aria Di Firenze, Pavane, Gaillarde ; Saltarello for Cornet ; Continuo
1.3 Variations on Tomás Luis de Victoria’s “Vadam Et Circuibo”, for Cornet ; Continuo
1.4 Gaillarda Napolitana, for Cornet ; Continuo
1.5 La Clemente, Sonata for Cornet ; Continuo
1.6 Anchor Che Col Partire, Madrigal
1.7 Sonata for Solo Instrument ; Continuo No. 2 (Sonata Concertate Ii/2)
1.8 Variations on Palestrina’s “Lo Son Ferito”
1.9 La Monica, Aria ; Saltarello for Cornet ; Ensemble
1.10 Salve Regina, Motet for Voice, 2 Violins ; Continuo
1.11 Sonata for 2 Instruments ; Continuo No. 3 in C Major (Sonata Concertate Ii/3)
1.12 Tota Pulchra Es Amica Mea, Motet for Voice ; Continuo
1.13 Sonata Seconda a Violino Solo
1.14 Exultate Jubilate, Motet
1.15 Sonata for Solo Instrument ; Continuo No. 2 (Sonata Concertate Ii/2)
1.16 Gaudete, Motet
1.17 Sonate Concertate a Due E Tre Voci, Book 1, Op 1/6 a 2
1.18 Pianto Della Madonna, Sacred Song for Voice ; Continuo (From Selva Morale E Spirituale), SV 288
1.19 Sonata for Cornet ; Violin No. 7
1.20 O Quam Tu Pulchra Es, Motet for Voice ; Continuo
1.21 Sonata Undecima
1.22 Ave Regina Caelorum, Motet for 4 Voices

The cornett (also known as the cornetto or zink) is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods. William Dongois is one of the best-known cornet players of our time. On the present double CD, together with the ensemble Le Concert Brise, he dedicates himself to the “Golden Age” of the cornett – the period between 1580 and 1630 in Northern Italy. The first disc focuses on secular dance movements and songs of the Italian Seicento, whilst the second disc features sacred instrumental and vocal music written for St. Mark’s Cathedral in Venice during the time of Monteverdi.