Concerto Grosso & Cinerama Holiday

Artista: Gould / Seattle Sym / Weller / Schwarz

Formato: COMPACT DISCS

Gravadora/Label: NAAC

Catalogo: 8559715

Faixas: 1.1 Prelude and Fugue – Various Performers
1.2 Air – Various Performers
1.3 Variations – Various Performers
1.4 Rondo – Various Performers
1.5 Souvenirs of Paris – Jeffrey Silberschlag/Seattle Symphony Orchestra
1.6 On the Boulevard – Jeffrey Silberschlag/Seattle Symphony Orchestra
1.7 Prologue and Drum Waltz – Jeffrey Silberschlag/Seattle Symphony Orchestra
1.8 Sad Song – Jeffrey Silberschlag/Seattle Symphony Orchestra
1.9 Royal Hunt, Galop – Jeffrey Silberschlag/Seattle Symphony Orchestra
1.10 Pavane – Jeffrey Silberschlag/Seattle Symphony Orchestra
1.11 Theme – Jeffrey Silberschlag/Seattle Symphony Orchestra
1.12 Elegy – Jeffrey Silberschlag/Seattle Symphony Orchestra
1.13 Interlude – Jeffrey Silberschlag/Seattle Symphony Orchestra
1.14 March on – Seattle Symphony Orchestra
1.15 Rally – Seattle Symphony Orchestra
1.16 Twirling Blues – Seattle Symphony Orchestra
1.17 Strut – Seattle Symphony Orchestra
1.18 Slink – Seattle Symphony Orchestra
1.19 Waltzing Alumni – Seattle Symphony Orchestra
1.20 Alma Mater – Seattle Symphony Orchestra
1.21 March Off – Seattle Symphony Orchestra

Spanning the traditional boundaries separating “serious” and “popular” music, Morton Gould wrote prodigiously across a wide range of forms, from concert works to musicals and film scores. The Concerto Grosso was described by the composer as “a transformation of hoedown tunes… [the soloists] play, in the first and last movements, like a bat out of hell.” Gould’s work for film and television ranged from the movie travelogue Cinerama Holiday to the poignant Holocaust, via the ironic dances of World War I. The jazzy Pavanne contrasts with the atmospheric Interlude, while the Formation Suite is an original take on marching bands.